Introducing foreign religious ideologies to readers can be a challenge in both fiction and nonfiction genres. It’s something I’ve struggled with when memoiring about my childhood as a Mormon. For a reader who is unfamiliar with my faith, the ordinance of Baptisms for the Dead can and has given the uninformed a visual of a congregation of Dr. Frankensteins in church dress dipping cadavers into a baptismal font. So I wondered, how can I seamlessly describe it without bogging the reader down with lengthy explanations or halting the flow of the prose? And what of a younger perspective, how would I explain complex doctrine with a child’s voice? How does an author fluidly and organically introduce religious holidays, doctrines, and edicts? And how does she differentiate between culture and doctrine?
These questions haunted me as I began my first memoir and discovered my fellow students had little understanding of my Mormon faith. I analyzed some of the great faith memoirists and one fiction writer to unearth strategies used to make faith as natural to the reader as the scenery in a film. I tackled four faiths, Catholicism in Frank McCourt’s Pulitzer Prize winning memoir, Angela’s Ashes; the Mennonite faith in Rhoda Janzen’s narrative, Mennonite in a Little Black Dress; Laestadian Lutheranism in Hanna Pylväinen’s novel, We Sinners; and Mormonism in Book of Mormon Girl by Joanna Brooks. Only Mormonism and Catholicism were familiar faiths to me, but with all four I examined writing styles, focusing on how each book addressed the creed versus culture divide. While all were Christian faiths, what I found can still be applied when writing about non-Christian faiths. Here's the link to our podcast. Good luck writing, friends! Rena
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